Thursday, November 6, 2014

Chapter 22 Study Guide


Europe and America, 1800-1870

Neoclassicism (cont)
  • David, Napoleon Crossing the Saint-Bernard, 1800-1801
  • Ingres, Grande Odalisque, 1814
Romanticism
  • Fuseli, The Nightmare, 1781
  • Goya, Third of May, 1808, 1814-1815
  • Gericault, Raft of the Medusa, 1818-1819
  • Delacroix, Death of Sardanapalus, 1827
  • Delacroix, Liberty Leading the People, 1830
  • Turner, The Slave Ship, 1840
  • Bierstadt, Among the Sierra Nevada Mountains, California, 1868
Realism
  • Courbet, Burial at Ornans, 1849
  • Millet, The Gleaners, 1857
  • Manet, Le Dejeuner sur l’Herbe, 1863
  • Manet, Olympia, 1863
Pre Raphaelite
  • Millais, Ophelia, 1852
  • Rossetti, Beata Beatrix, c. 1863
Photography
  • Daguerre, Still Life in Studio, 1837

  1. Why did Napoleon Bonaparte, Emperor of the French, embrace the Neoclassical style in art and architecture?
  2. Romanticism was a reaction against which earlier artistic movement?
  3. Why did Realist artists reject the depiction of mythological, historical, and religious subjects?
  4. Who was the first painter to hold a solo exhibition of his own work? Why did he choose to hold the exhibition?
  5. What is a lithograph?
  6. Which famous Renaissance painting did Manet take as his inspiration for Olympia?
  7. Name two forms of early photography.
  8. Why was Nadar so popular as a portrait photographer?
  9. What event led to the formal recognition of photography as an art form?

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