Chapter 23 Study Guide

Europe and America, 1870-1900

Impressionism

• Monet, Impression: Sunrise, 1872
• Monet, Rouen Cathedral: The Portal (in Sun), 1894
• Renoir, Le Moulin de la Galette, 1876
• Manet, A Bar at the Folies Bergere, 1882
• Degas, The Tub, 1886

Post Impressionism

• Toulouse-Lautrec, At the Moulin Rouge, 1892-1895
• Seurat, A Sunday Afternoon on La Grande Jatte, 1884-1886
• Van Gogh, Starry Night, 1889
• Gauguin, Vision after the Sermon, 1888
• Gauguin, Where Do We Come From? What Are We? Where Are We Going? 1897
• Cezanne, Mont Sainte-Victoire, 1902-1904

Symbolism

• Moreau, The Apparition, 1874-1876
• Redon, The Cyclops, 1898
• Munch, The Scream, 1893
• Rodin, The Gates of Hell, 1880-1900

1. How did the term ‘Impressionist’ come to be applied to the group of painters that included Monet, Renoir, and Degas?
2. What was the primary goal of the Impressionist painters?
3. What are the two major influences on Impressionist composition?
4. What does the term ‘local color’ mean?
5. What did Monet hope to achieve with his many series paintings (such as the grainstacks, Rouen Cathedral, and the waterlilies)?
6. Who was Baron Georges Haussmann and what role did he play in the modernization of Paris?
7. Why is the term ‘Post Impressionism’ problematic?
8. What sets the paintings of Henri de Toulouse-Lautrec apart from those of the Impressionists?
9. What is Pointillism (also referred to as divisionism or Neo Impressionism)?
10. Where was Vincent van Gogh when he painted Starry Night?
11. How does Gauguin’s use of colour differ from the Impressionists?

No Weekly Group Assignment (11/27)

Because school will be closed for Thanksgiving next Thursday, there will be no weekly group assignment this week.

Weekly Group Assignment (11/20)

As a group, analyze the work of art you have been assigned. Attempt to identify the artist, subject, culture, and approximate time period of the work using visual evidence and your own knowledge of history and art. Do not simply list off facts you have found through Google. Support any conclusions you come to with specific details from the work. Discuss anything you may find interesting in the piece such as potential symbols, connections with other works, or artistic virtuosity.

Group 1:

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Group 2:

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Group 3:

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Group 4:

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Group 5:

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Essay Writing Workshop

I will be at Starbucks (outside if the weather is nice) at the Canyon Crest Towne Centre tomorrow (Friday) from 12-2 pm if anyone would like help with their essays.

Essay Title/Questions

Choose ONE of the questions below and answer it in an essay that is between 2 and 3 pages long. Use specific examples of works of art and architecture which we have looked at in class and that are relevant to your argument. (Typed, MLA Format)

1. Baroque Patronage: How was the subject matter of paintings and/or sculptures influenced by patronage in the Baroque period in Europe (Italy, Spain, Flanders, Netherlands, France [you do not need to discuss all five countries])? Use 3-6 examples to support your assertions.

2. Enlightenment Art: How did the Enlightenment lead to a more ‘natural’ style of art in the 18th century? When discussing the Enlightenment, consider philosophy, political and cultural attitudes, and advances in science and technology. Choose 3-5 examples to support your assertions and discuss them in terms of both subject matter and style.

3. Self-Portraiture: Choose 3-4 self-portraits (a portrait of an artist created by that artist) which we have discussed in class and compare and contrast the works. Consider how each of the self-portraits is representative of its respective culture, time period, and/or style. Discuss what the self-portraits convey about each artist as well the image each artist wished to project of him or herself.

(40 points)

Due: Thursday 13 November*

* If submitting electronically, essay must be received by midnight. Send to lauren.vaughan@rccd.edu

Chapter 22 Study Guide

Europe and America, 1800-1870

Neoclassicism (cont)

• David, Napoleon Crossing the Saint-Bernard, 1800-1801
• Ingres, Grande Odalisque, 1814

Romanticism

• Fuseli, The Nightmare, 1781
• Goya, Third of May, 1808, 1814-1815
• Gericault, Raft of the Medusa, 1818-1819
• Delacroix, Death of Sardanapalus, 1827
• Delacroix, Liberty Leading the People, 1830
• Turner, The Slave Ship, 1840
• Bierstadt, Among the Sierra Nevada Mountains, California, 1868

Realism

• Courbet, Burial at Ornans, 1849
• Millet, The Gleaners, 1857
• Manet, Le Dejeuner sur l’Herbe, 1863
• Manet, Olympia, 1863

Pre Raphaelite

• Millais, Ophelia, 1852
• Rossetti, Beata Beatrix, c. 1863

Photography

• Daguerre, Still Life in Studio, 1837

1. Why did Napoleon Bonaparte, Emperor of the French, embrace the Neoclassical style in art and architecture?
2. Romanticism was a reaction against which earlier artistic movement?
3. Why did Realist artists reject the depiction of mythological, historical, and religious subjects?
4. Who was the first painter to hold a solo exhibition of his own work? Why did he choose to hold the exhibition?
5. What is a lithograph?
6. Which famous Renaissance painting did Manet take as his inspiration for Olympia?
7. Name two forms of early photography.
8. Why was Nadar so popular as a portrait photographer?
9. What event led to the formal recognition of photography as an art form?